The Japanese cultural historian Tadao Sato suggests that Record of a Living Being was innovative in its representation of the atomic bomb because it treated the bomb as:

According to Galbraith, for how long did Kurosawa rehearse the cast of Record of Living Being?

As observed by Yoshimoto, which of the following is a feature of the multicamera shooting technique used by Kurosawa on Record of a Living Being.

Which actor played the observant and reflective roles of both Yamane in Godzilla and Harada in Record of a Living Being?

Who was the composer that Kurosawa worked closely with on several of his films up until Record of a Living Being?

According to Galbraith, reviews of Record of Living Being were:

According to Yoshimoto, with which character in Record of a Living Being did Kurosawa feel closest?