Because he merged art, science, and engineering

into a unified vision of design.

Because he focused only on decorative design.

Because he worked only as an architect, not as

an inventor or scientist.

Because he rejected proportion and perspective

in his work.

He saw design as a balance of technical skill,

deep knowledge of anatomy, and expressive power.

He worked in isolation, rejecting classical

influences.

He relied only on medieval guild traditions.

He avoided architecture and focused only on

painting.

From religious symbolism and craft tradition to

intellectual, systematic design practice

From secular scientific inquiry to purely

religious decoration

From modern industrial design to prehistoric

craft

From individual creativity to collective

anonymity