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AP Art History Cronk

AP Art History Cronk

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The sika dwa kofi (golden stool) and the gold and jade crown from Korea are similiar in that both works

are symbols of national pride

are used in mortuary practices

are used daily by the current political leader

are used by visiting dignitaries as a sign of respect and welcome

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The work on the left, unlike the work on the right, is concerned with

the study of botany

demonstrating the artist's ability to depict objects in a natural environment

the arrangement of objects in relationship to one another

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The work on the right has many theories surrounding its use. Among them is hypothesis that it represents

a stylized kangaroo with a pouch ready for a newborn

a ceremonial animal that humans created in order to sacrifice

an anteater in a fetal position

a fish used to bait other fish

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The woman on the left represents a Native American

but she is painted as a European woman with dark colored skin

who tries to adopt the culture and conditions of her new home in Spain

who is dressed as a European woman of the eighteenth century would be dressed

who is eager to give up her children to the European male in the painting

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The strength of the female persona is strongly articulated in the works of

Yinka Shonibare

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The sika dwa kofi (golden stool) inspired a war when

a visiting ruler used it as spolia

a deposed leader refused to return it

a British representitive tried to sit on it

an opposing tribe stole it

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The use of stone in such prehistoric structures as Stonehenge illustrates an architectural tradition that

maintained the stability of structures using a corbeled arch

unified architectural works with carefully planned gardens

showed the enduring power of concrete to unify large blocks of stone

employed a mortise and tenon system for supporting lintels

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The work on the left has been anthropomorphized, meaning that

it is a work depicting a woman

it has characteristics of a human, but is not human itself

archaeology has yet to determine what this is

it was discovered by anthropologists

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The large area on the left is probably

an amphiprostyle

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The interior columns in Santa Sabina, as seen in Figure 13, were

removed from a Roman temple and reused here

made of transparent gypsum and appear opaque in certain lighting conditions

created from porphyry columns imported from Egypt

taken from Jewish temples in Jerusalem, whose significance was held

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