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The work on the left was used for prayer for which faith?

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The visual evidence in this work indicates that it is

a dedication page for a moralized Bible

the opening Gospel page in a manuscript

an icon for religious worship

a cross-carpet page in a manuscript

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The work on the right can be compared with the works on the left in that both

are dominated by zigzag and geometric motifs

were used in rituals

are done by unidentified artists

use a combination of polished and matte surfaces

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The work on the bottom was meant to be

periodically studied and examined in a library

on permanent display in a palace

put away and taken out occasionally to be viewed by interested parties

housed in a religious shrine as a moral lesson

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The work on the right is woven because it is

a commentary on the contemporary neglect of woven works of art

meant to be worn

the traditional artistic occupation of women

meant to be beautiful but also have a function

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The work on the bottom illustrates

an historical episode seen from the victor's point-of-view

a personal challenge in the face of overwhelming odds

a mythical event that sheds light on contemporary society

an allegory of war and violence

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The work is placed in the center of the room so that

it will block people from passing through the room and force them to consider it

people can be encouraged to touch the work and experience it first hand

a contrast between solids and voids can be appreciated

other figures can be placed around it and interact with it

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The International Style of mid-twentieth-century architecture stressed

a new look at traditional ornamentation, casting it in a modern way

cantilever construction techniques

streamlined spaces and spare decoration

a revival of hand-crafted and manually worked details

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The Mexican flag today has an eagle perched on a cactus that rests on a rock. This symbol of Mexico can be found on which of the following works?

lintel 25, structure 23, from Yachilán

Screen with the Siege of Belgrade and hunting scene

Miguel Cabrera, Sor Juana Inés de la Cruz

Miguel González, Virgin of Guadalupe

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The sculpture probably

saluted a heroic figure from a battle

was placed in a tomb so that the spirit of the deceased could visit the earth

saluted a fallen emperor or king

was designed as a symbol of a Greek city-state

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