AP Art History Cronk

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This church was built along pilgrimage roads headed to

Santiago de Compostela

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Jerusalem

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Canterbury

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Rome

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These prints were done in a format called a woodcut, which has a style that can be characterized as

using stiff and angular figures

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using sfumato to shade figures

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achieving precise details

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using the pointillist techniques

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The work on the right represents a

change to a more practical type of pottery rather than just aesthetically pleasing

work

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revival of interest in pottery making in a culture that had seen a decline in that art

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move to reestablish pottery in European markets after a serious decline in quality

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change from a tourist driven pottery market to a practical use market

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These works are printsa which

were used as ways to educate children in schools

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were attached to early forms of newspapers and used as illustrations

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were deemed a higher art form than more traditional paintings

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could make multiple original copies and be distributed more widely

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The work on the top was meant to explain

the weighing of souls in the afterlife

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an innocent person's journey to salvation and enlightenment

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coming of age in a tumultuous era

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vengeance upon a sinful man

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The visual evidence in this work indicates that it is

a dedication page for a moralized Bible

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the opening Gospel page in a manuscript

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an icon for religious worship

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a cross-carpet page in a manuscript

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The work on the right can be compared with the works on the left in that both

are dominated by zigzag and geometric motifs

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were used in rituals

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are done by unidentified artists

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use a combination of polished and matte surfaces

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The work on the left was used for prayer for which faith?

Judaism

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Islam

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Hinduism

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Buddhism

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The work on the bottom was meant to be

periodically studied and examined in a library

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on permanent display in a palace

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put away and taken out occasionally to be viewed by interested parties

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housed in a religious shrine as a moral lesson

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The work on the right is woven because it is

a commentary on the contemporary neglect of woven works of art

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meant to be worn

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the traditional artistic occupation of women

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meant to be beautiful but also have a function

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