does not exist

is irrelevant for the modern type of culture

 marks the text and type of discourse

the reader whom we imagine on the basic knowledge of the social and historical epoch

real historical face reconstructed on the basis of historical documents of a certain epoch

 the reader who is determined in the text

cannot avoid overinterpretation

 translators have no rights to digress from the author’s intention

have rights for any violations if they can be deduced from the text

The reimagining and creative transformation of a fictional work in translation, where the translator may introduce substantial changes to align with the target culture.

The process of adapting fictional texts into different formats, such as films, while creatively altering the narrative for new audiences.

The translation of fictional works while maintaining strict fidelity to the original narrative.

 an aesthetic object

 a series of concretizations

 a schematic formation

introspection

retrospection

both

exclusion of all intentional objects from our reflection

 focus on our concrete empirical ego

 the study of pure consciousness

physical

mental

psycological

 the phenomena at which consciousness is directed

the phenomena at which consciousness is directed

 the act of consciousness

intent of the author

intent of the translator

intent iof the text