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How does an editor control the rhythm of a film?
by making sure edited shots match each other in terms of continuity
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by following each shot with a counter-shot that reverses the field of the previous one
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by forcing shots to be part of the same montage sequence even if they don't make logical sense when placed together
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by varying the duration of the shots in relation to one another and thus controlling their speed and accents
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by timing sound track music correctly to edited shots
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How does a film editor typically fulfill his or her responsibilities for the spatial relationships between shots?
by placing shots together so that the sense of the overall space suggested on-screen shifts and expands
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by using only establishing shots
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by using only close-up shots
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by disregarding how audiences understand the space inhabited by the characters on-screen
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by adhering to violations of the 180-degree rule
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How does a dissolve differ from a fade?
A dissolve's transition occurs simultaneously on the screen, whereas a black screen separates the two parts of a fade.
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A dissolve can be used to mark a connection between two shots, whereas a fade cannot.
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A dissolve emphasizes the image, whereas a fade does not.
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A dissolve can be used to mark the passing of time, whereas a fade cannot.
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A dissolve is a transitional cut, whereas a fade is not.
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How do some film editors work during and before, and not just after, the shooting of movies?
by consulting with other editors about how to properly engage with the movie
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by making suggestions to the director and cinematographer concerning composition, lighting, and so on
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by refusing to work on any film material until the director has a clear plan for what he or she is doing
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by conferring with the producers about a movie's casting
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by putting together all the elements completed in the course of shooting
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How are freeze-frames created by an editor?
by making the subject stay perfectly still in front of the camera
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by placing the film in cold-temperature storage
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by stopping the projector on a single image of the movie
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by holding the camera still on a subject
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by repeating the same frame for whatever length of time is required for the desired effect
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Graphic matches often repeat ________ and provide a strong ________.
odd associations; visual sense of fragmentation and disorientation
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similar shapes; direct link between the events and content presented in the two different shots
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spatial impossibilities; temporal sense of nothingness
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cinematic convention; spatial sense of wholeness
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actors; visual sense of a connection between them
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Documentary films often have ________ shooting ratios than commercial narrative films since their stories are largely discovered during postproduction.
lower
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rawer
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smoother
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higher
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the same
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After the action is photographed multiple times with a variety of different shot types and angles, the editor constructs the scene using the particular viewpoint that is best suited for each dramatic moment, which is a practice known as
parallel editing.
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intercutting.
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classical cutting.
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montage.
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associative editing.
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A video produced by sequencing storyboard images and adding sound to help editors envision how planned shots will work in the edit is known as a
framework.
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workflow.
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picture lock.
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animatic.
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cartoon edit.
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I
_____ eighteen years old.
have
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-
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have got
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am
✅
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